{"id":4427,"date":"2019-04-29T22:29:11","date_gmt":"2019-04-29T21:29:11","guid":{"rendered":"https:\/\/fr25dev.co.uk\/koncertai\/"},"modified":"2022-11-24T23:11:41","modified_gmt":"2022-11-24T21:11:41","slug":"concerts","status":"publish","type":"page","link":"https:\/\/nationalphilharmonic.tv\/en\/concerts\/","title":{"rendered":"Concerts"},"content":{"rendered":"

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\n\t\t\t\tConcerts\t\t\t<\/h1>\n\t\t\t\t\t<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row el_class=”np-blog-spacing”][vc_column][vc_column_text el_class=”np-blog-description-post np-home”]The goal of this project is bringing audience as close to music as possible. The creation of digital concert hall does not aim to replace the real one. Concert attendance is a process of multiple layers. It covers live participation, real-time emotions, social life, possibility of sharing impressions here and now, historical atmosphere of the hall itself.[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=”middle” row_content_width=”grid” content_text_aligment=”center” css=”.vc_custom_1557061921030{padding-bottom: 60px !important;}”][vc_column][vc_wp_search][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces”][vc_column]
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\n\t\t120 YEARS OF THE GREAT SEIMAS\t<\/h4>\n\t\t\t

PART II<\/p>\n\t<\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>

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\n\t\t120 YEARS OF THE GREAT SEIMAS\t<\/h4>\n\t\t\t

PART I<\/p>\n\t<\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>

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\n\t\tJONATHAN TETELMAN GALA\t<\/h4>\n\t\t\t

LNSO, Modestas Pitr\u0117nas<\/p>\n\t<\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>

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\n\t\tANTON BRUCKNER\t<\/h4>\n\t\t\t

Symphony No.8 in C minor<\/p>\n\t<\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>\t<\/div>\n\t\n\t\t

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<\/div>\n\t<\/div>\n<\/div>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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