{"version":"1.0","provider_name":"Lietuvos Nacionalin\u0117s Filharmonijos TV","provider_url":"https:\/\/nationalphilharmonic.tv\/en\/","title":"Music as Theatre - Lietuvos Nacionalin\u0117s Filharmonijos TV","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fadewL2Vl3\"><a href=\"https:\/\/nationalphilharmonic.tv\/en\/koncertas\/music-as-theatre\/\">Music as Theatre<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/nationalphilharmonic.tv\/en\/koncertas\/music-as-theatre\/embed\/#?secret=fadewL2Vl3\" width=\"600\" height=\"338\" title=\"&#8220;Music as Theatre&#8221; &#8212; Lietuvos Nacionalin\u0117s Filharmonijos TV\" data-secret=\"fadewL2Vl3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/nationalphilharmonic.tv\/wp-content\/uploads\/2021\/05\/04-30_Lateno-Bartulio-Atminimui-800x450-2.jpg","thumbnail_width":800,"thumbnail_height":450,"description":"Last year, music and theatre community suddenly lost prominent composers Faustas Lat\u0117nas, Vidmantas Bartulis... Composers belonging to the same generation left a painful emptiness that can only be filled by their music \u2013 unique, extremely captivating and loved by listeners and performers. The works of Faustas Lat\u0117nas remain in the spotlight despite the passing decades and the loss of the composer: the performers regularly include them in their programs, and the listeners always respond enthusiastically to them. \u201cFor me, the key indicator is that the work lives, is performed and is needed\u201d, the composer said.According to musicologist Viktoras Gerulaitis, \u201cLat\u0117nas\u2019 chamber instrumental works are listened to as small musical spectacles, in which each musical gesture has a certain meaning, often known only to the composer. The composer is not at all afraid of banalities or various reminiscences of recognizable music, the strangest hypertrophied climaxes or provocative combinations. He is convinced that \u201cit is not necessary to use many notes, to speak a lot or in an intricate way to encode an inner suggestion. Everything can be put across in simple and familiar details, in simple harmony.\u201dThis concert features Lat\u0117nas\u2019 works of that nature. Written in the 1980s, they allude to the spirit of theatre, the longing for lost friends or the passion of Latin American music. The words about Samba lacrimarum, once said by the composer, take on a different meaning today: \u201cSamba is a celebration, a fiesta, and in life this samba fiesta is replaced by tears. The celebration is short-lived, but we remember it for a lifetime. It\u2019s joy through tears.\u201dSurrounded by Lat\u0117nas\u2019 music, Vidmantas Bartulis\u2019 composition from his famous series I like speaks no less persuasively. The theatre composer\u2019s extensive experience led him to create and direct his own \u201cdramas\u201d, which caused a stir in the late 1980s, and are still intriguing today. As Linas Paulauskis wrote, \u201csupposed frivolity is combined with deep concentration, sarcasm with melancholic sincerity, intimate soliloquy with massive drama, existential cold with all-pervading bliss \u2013 and everything at the same time...\u201dInterviewed by R\u016bta Gaidamavi\u010di\u016bt\u0117, Bartulis said about I like Marlene Dietrich (Lili Marlene): \u201cThe personality was legendary, starting with sexual orientation and ending with belonging to several secret service agencies. That boring Marlene synchrony is like a sunken ship that rises overgrown with shells, algae, all the sediments of time. Having emerged, it appears in all its beauty, antique-historical shape...\u201dThe Vilnius String Quartet, pianist Petras Geniu\u0161as and violinist Dalia Kuznecovait\u0117, the quartet\u2019s 1st violin who also appears here in a duo with Geniu\u0161as \u2013 the performers of most diverse programmes \u2013 invite you to experience the music by composers who have already become legends."}